Susan Blackmore (Zen and the Art of Consciousness) asks the question, as a kind of koan, “Am I conscious now?”
It’s a good question. Am I? Have I been?
We must all be familiar with the sensation of listening to a favourite piece of music, and suddenly realising we’ve missed the best bit – the key change we love, the beginning of the bridge, whatever it is. We’ve been listening out for it, anticipating it, but when it comes our mind has wandered off into some fantasy, some memory, or a bird passing the window has caught our attention, and it is gone. Where? Were we aware of it?
Or we are meditating, paying attention to what is happening now, and we become aware (Blackmore uses this example herself, but I have had the identical experience many times) of a sound in the street outside. How long has it been going on? When we notice it, it has not just begun. And yet when we notice it, we are aware that we were aware of it already. It’s been going on for several seconds, quite distinctly, but we didn’t exactly notice. Now we do, and we remember, if that’s the right word, that it was happening already. Were we conscious then?
Here we are. For a moment, our whole attention is on now. Oh, the delicious freshness of it! We’re not remembering: we’re hearing it, feeling it, now! All that is, is now. There is nothing else. What else could there be?
Blackmore mentions Daniel Dennett’s objection to Cartesian dualism (which roughly states that there’s an I, sitting in here looking at a that, which is out there somewhere). But where is this I? There’s nowhere in the physical brain that could correspond to an I, no locus of consciousness, nor is there anywhere an incorporeal self (soul) could plug into the soggy assemblage of neurons between our ears. Dennett suggests rather that consciousness consists of “multiple drafts”. Blackmore writes (ibid.) “Dennett describes the self as a ‘benign user illusion’, and replaces the theatre with his theory of ‘multiple drafts’. According to this theory, the brain processes events in multiple ways, all in parallel and in different versions. None of the drafts is ‘in consciousness’ or ‘outside consciousness’; they appear so only when the system is probed in some way, such as by provoking a response or asking a question. Only then is one of the many drafts taken as what the person must have been conscious of. This is why he claims that ‘There are no fixed facts about the stream of consciousness independent of particular probes.’”
This makes more sense. Perhaps the light of attention picks out one or another draft, falls on one or another as the object of attention. But whose attention? Another draft’s attention? It’s all very puzzling.
But that moment. Now! That moment. There there is no sense of a shifting light of attention. There is only now. It has all come together in an instant, literally. This instant, now!
Perhaps we cannot know. Perhaps there is something here not susceptible of analysis. The bright instant is itself, represents no thing. It seems to rest in the ground of being directly, an isness that is only itself. Perhaps it is only light.
An Open Ground 